trous·seau, n. [French, from Old French, diminutive of trousse, bundle. See truss.] The possessions, such as clothing and linens, that a bride assembles for her marriage.

Throughout history, single women the world over, have prepared for the transition from single to married status by accumulating a trousseau. The traditional trousseau -- stored in a Sandook -- includes bridal accessories, jewelry, lingerie, toiletries and makeup, plus all other necessary items for the brides new marital home.

From Victorian times up until present day, the trousseau has also consisted of new outfits to the bride through her wedding, honeymoon, and newlywed days.

Historically the outfits in a trousseau were hand-sewn by a a mother, aunt, grandmother, or the girl herself, if skilled with a needle. In modern times these items are gifts adorned by the family of the bride.

VICTORIAN TROUSSEAUS

Elaborate trousseaus were a sign of wealth and social standing during the Victorian era:

"The society woman must have one or two velvet dresses which cannot cost less than $500 each. She must possess thousands of dollars worth of laces, in the shape of flounces, to loop up over the skirts of dresses... Walking dresses cost from $50 to $300; ball dresses are frequently imported from Paris at a cost of from $500 to $1,000... There must be traveling dresses in black silk, in pongee, in pique, that range in price from $75 to $175... Evening robes in Swiss muslin, robes in linen for the garden and croquet, dresses for horse races and yacht races, dresses for breakfast and for dinner, dresses for receptions and parties..." from "Lights and Shadows of New York" by James McCabe, 1872.

"A visiting and reception dress was of maroon velvet, trimmed with wide bands of cocks' feathers of the same shade. A second rich costume was of black brocaded silk and plain silk. ." -- from "Miss Vanderbilt's Trousseau," Harper's Bazar, December 15, 1877

TROUSSEAU FOR THE ASIAN BRIDE

Among Hindus, red is a color indicative of marriage. Hindu brides attire in colors of red, pink and maroon. The bridal outfit is not just a piece of clothing but has lot of personal sentiments attached to it. In fact according to Hindu rituals, the father of the girl calls upon the bridegroom and hands over the responsibility of his daughter who is bedecked in her bridal trousseau. This explains the reason of incorporating traditional designs in bridal dress while giving it a contemporary look.

Each ethnicity gives birth to a unique style of wedding. In Maharashtra, brides attire a Paithani sari whereas Jammu and Kashmir brides usually wear tight trousers with heavy embroided kurta. Tamilian brides dress up in Kanjeevaram silk sari. Punjabi brides go in for either heavy work sari or bridal lehanga with phulkari embroidery. White is the chosen color of bridal dress among Parsis and Catholics and is seen as a symbol of purity. Bengali brides tend to chose Benarsi silk sari made up of rich brocade.

Red Chunari plays an important part of bridal trousseau. Bandhani style is the most popular form used in the making of bridal chunari. It is used for a ritual ceremony known as "Gath Bandhan". In Rajasthan, tie and dye Leharia Dupatta is used to make the bedding of the bridegroom for his Tilak ceremony.

Bridal trousseau definitely has a religious significance but today in the present century it has become more of a fashion statement. Our culture is so rich that virtually every region has something unique to offer. Mirror work of Rajasthan, Phulkari embroidery of Punjab, Leharia print of Gujarat and such iconic works like Kundan, Resham, Zari and Zardosi are ruling the fashion industry.